Greece: Abstract [Post #7]

In case you didn’t read Greece: Classical [Post #6], I’ll reiterate what I’d said at the start of that post:

I’ve just realised that I had intended to post #6 and #7 in this Greece series a while ago… Like, months ago… And… Well… I forgot. Oops? I have since been back to Greece to work with Rick again (earlier this year, in April). But I figured, since I’d already written this post (and the previous one!) before I went to Greece for the second time, that I might as well post them! So… Sorry it’s a bit late, but here it is, Greece: Abstract [Post #7].


So this post and the previous one consist entirely of pictures of olive trees. Okay, not just olive trees. Photographs of olive trees, with me on and/or near to them trying my best to reflect their beauty and shapes with my body.

Most of the work I did in Greece revolved around the olive trees. It was part of an ongoing project that Rick has been working on. So there are a lot of these type of pictures. I’ve split them into two types, so I don’t overcrowd one post.

In the first post of these two, Greece: Classical [Post #6], I showed you the images with a more classical posing style.

This post, Greece: Abstract [Post #7], is where I will be showing you more abstract posing, but still with the olive trees.

Are you still with me? Good. Is this introduction sounding a bit familiar??


Okay, so I’ll admit I was a bit tempted to copy and paste most of the previous post in this one, just to be weird… but I figured that would probably be a little bit boring for anyone who’s following this series of posts. And it wouldn’t be funny after about 500 words. It would just be annoying. So I’ll just assume you’ve read the previous post and continue on.


The last post was a more classical take on fine art nude photography. This one is not. I said before that most of what I do is the more classical style of things and I said how much I love it. Because I really do.

But there is one thing I like more than classical fine art nude modelling. And that is the style I will be showing you here. The more abstract style of fine art nude. It is my absolute favourite.

So when Rick described his idea for these shots to me, all to do with becoming one with the tree, as though I was the spirit of the olive tree itself…

I first thought to myself, ‘yey’. And then I thought about how this really is the sort of thing I love doing most. It is the absolute best. And I get to do it in Greece!

It was fun to be able to be a bit weird with the beautiful old olive trees. All in the name of art. I love my job, I’m so lucky to get to do this.

The posing in a few of these images is similar, but I couldn’t choose which one I liked best, because of the way the trees or the photography vary in each one. They all have a reason for being included here.


1.

1

©Garden of the Muses

I love how this tree gave me a little ledge to get off the ground. There is an emotion of sadness about this shot, and the sunlight isn’t as harsh or strong as it is in some of the other shots. I think it really gives this image a bit of something else, it’s a bit softer. I think also, because Rick captured some other olive trees in the frame, but also there was a lot of bare ground in this location too, it feels a bit more secluded (less crowded by other trees) than some of the shots we got.


2.

2

©Garden of the Muses

This is one of my favourite shots from my entire time in Greece and one of my favourite shots ever. It is very much about becoming one with the tree, but still with that softness I mentioned about the previous image. I love it!

[What you don’t get a sense of from this shot, is that in between shots, I kept nearly falling off from my little perch. I’m genuinely not as graceful and ladylike as I look like I am in the finished product… But hey, falling over and stumbling around is the fun part. Capturing amazing art in the process is the part that makes the scrapes, bruises and slight embarrassment at my clumsy nature all worthwhile!]


3.

3

©Garden of the Muses

This would be quite an awkward pose if it were meant as a straightforward, classical fine art nude shot. But for something a bit more abstract, it really works for me. I feel like I succeeded in making shapes with my body, while staying true to the lines of the tree (you’re probably there thinking, ‘you’ve lost me’), but the reaching up really captures that idea of being one with the tree.


4.

4

©Garden of the Muses

I don’t know what it is about this shot, I just love the asymmetry of the pose and the stark contrast in the editing style. It’s definitely an odd shot, but that’s a good thing. I feel like there is a story waiting to be told about this image. Maybe one day, I’ll write it.


5.

5

©Garden of the Muses

The thing I love most about this image is the weird angle it’s been taken from. I don’t know why but it just makes the whole image for me. I see this as almost like mother nature crying out for humans to stop destroying the planet. Or maybe that’s just the vegan in me…


6.

6

©Garden of the Muses

This image is pretty much the same pose as the image above it.. But because both images have different olive trees in them and have been taken from different angles, have different levels of light on them and been edited differently, you get a completely different image. I like them both.


7.

7

©Garden of the Muses

The height of this tree is what makes this shot work for me. It looks so tall, strong and open; which contrasts the small, closed off nude figure at its roots. Magic 🙂


8.

8

©Garden of the Muses

This shot is really different to the other images in this post. I think that’s why I really like it. It’s very anonymous and definitely keeps in with the theme of becoming one with nature. I can almost see myself merging with the trunk. it’s definitely one where you have to look at it again to figure out what’s going on in the shot. I like photographs that make you do that.


Number 2 and Number 7 are my favourites from this post. I really enjoy making shapes with my body. Weird ones. Curling up into a ball, arms and legs at opposite angles. It’s fun to shoot too. I hope the pictures were worth it! Let me know which one is your favourite!


And that’s it for my posts on my November 2017 trip to Greece! I hope you’ve been enjoying reading these posts as much as I’ve enjoyed writing them. I apologise for being a bit weird sometimes. Actually, I take back my apology. I’m unapologetically weird. It makes life more fun.

Stay tuned for the next adventure! ❤


And I’m also sorry that I forgot to post the last two posts in this series until just now 😀


If you like my work and want to support me, feel free to buy me a coffee by clicking here for PayPal or here for Ko-Fi. I’m also on OnlyFans, so click here if you would like to sign up to see images before anywhere else, exclusive content, and selfies!

Thank you 🙂


 

2 thoughts on “Greece: Abstract [Post #7]

  1. Pingback: Greece: Classical [Post #6] | Misuzu

  2. Pingback: Greece: Vintage [Post #1] | Misuzu

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